小伙伴在撰写演讲稿的过程中需要强调思路清晰，为了缓解个人的紧张情绪，演讲稿有着十分重要的作用，下面是公文溜溜小编为您分享的TED研演讲稿7篇，感谢您的参阅。
ted研演讲稿篇1
人与动物，都是鲜活的生命，都是地球母亲的孩子，都有权利在地球妈妈的怀抱下自由生息。
就像瑞士的鸟儿，它们同人类般自由生息，在这里没有人提笼打鸟，欲把天下珍奇鸟类都关进自家笼中独赏。从日内瓦湖的白天鹅到森林里的黑乌鸦，都有人投喂食物，从未听说有偷捕、滥杀的行为。这里的鸟儿常常停落在公园的草坪或是长椅上，与人类朋友一起共度美好时光。这些自由生息的鸟儿，一点儿也不害怕人，因为日内瓦人把整座城市都营造成一个鸟儿的乐园，公园里、小湖边、大街小巷，随处可见人与鸟儿和谐共处的美丽画面。
可是，在我们祖国大地，去恰恰相反。有的国人实在自私，把各种异鸟关在家中独赏，以挑逗甚至伤害它们为乐。偷捕和滥杀国家珍稀动物的事情频频发生，鸟儿一听到人类的声音便一哄而散，它们在恐惧、在悲痛、在苦苦哀求!乞求人类留它们一条生路，求人类不要再折磨、伤害他们，求人类施予它们一个能自由生息的乐园。
是的，在这些人看来，动物就是人类的玩物，它们没有生命、没有思想、没有感情，就是用来供人类玩赏，想要就要，想抛弃就抛弃，想折磨就肆意折磨。不，我们错了，我们不要做一个残暴的中国人，不要做一个被世人嘲笑的中国人，让我们一起保护动物，一起为动物营造一个动物自由生息的乐园!
说来，我也有些惭愧：我也曾经养过一只鸟，但几年后，我便把它放了。我放飞它，并非是抛弃它。因为它原本就属于大自然，它既然不喜欢在笼子里不愁吃喝的生活，就应该飞离鸟笼，去外面的世界，寻找它向往的生活。因为，它真正的家毕竟是大自然。这也和人类一样，长大了，就会挣脱生活的枷锁，冲出家庭的牢笼，去更大更精彩的世界闯荡，去独立地生活。这是一个成长、进步的关键。我虽然担心、思念它，却不能耽误它。
我希望每个中国人乃至每个地球母亲的孩子，都尊重动物，保护动物，为它们建设一个自由生息的乐园，营造一片辽阔的蓝天!
ted研演讲稿篇2
life is a mirror. if we smile to her, she would also return the happinessto us. but if we cry, she would be disappointed. therefore, we should bepositive toward life, so as to get happiness.
actually, happiness is everywhere if we keep a good attitude. as we keep agood mood, our world will be a sunny land, which is resounded with soft music.however, if we are pessimists, we'll find our world is full of darkness.
while on the other side, happiness is not a destination but a journey.because there's no paradise at all, but we can make a paradise if we'rehard-working and intelligent. so we should work like we don't need money, smilelike we've never been hurt, and perform ourselves like no one can see us.
生活就是一面镜子。如果我们对她微笑，她也会回报我们幸福。但如果我们哭泣，她会很失望。因此，我们应该积极的态度对待生活，从而得到幸福。
其实，如果我们保持良好的心态幸福无处不在。如果我们保持一个好心情，我们的世界将是一个充满阳光的地方，充满了柔和的音乐。然而，如果我们是悲观主义者，我们会发现我们的世界充满了黑暗。
而另一方面，幸福不是目的地，而是一段旅程。因为根本就没有天堂，但如果我们勤劳有智慧，我们可以自己弄一个天堂。所以我们应该就像我们不需要钱一样工作，就像从未受伤过一样微笑，就像没有人能看到我们一样表演。
ted研演讲稿篇3
2017年，是我们…市创建全国文明城市的关键年，在提升整体市民素质，提升城市文明素养方面，作为学校，有着非常关键的桥梁纽带作用。根据市教育局以及上级有关部门的要求，我校结合学校实际，充分发挥广大学生在创建全国文明城市中的生力军作用，在抓好学校自身建设的同时，积极组织全体师生走上街头、深入家庭、社区，大力宣传创建全国文明城市的重大意义，在社会上营造了良好的创建工作氛围，为深入推进我市文明创建做出了应有的贡献。活动中，我们着眼创新，注重实效，在全校师生的共同努力下，校园的面貌发生了明显的变化，创建活动取得了显著的成效。现总结如下：
一、总体情况
1、学校领导重视，组织机构建全为扎实开展创城工作，加强责任意识，发挥主动性，我校成立了由汪翀校长为组长，贺荣夫副校长为副组长，各部门负责人为组员的“创建文明城市工作领导小组”，然后根据各处室的工作性质进行了详细分工。具体工作分配到部门，并落实到人。对文明城市创建中考察学校的项目进行了细致分工，其中测评项目分为：校园环境整洁、台账资料健全、校风教风文明、校园德育工作扎实、实施健康素质计划、加强校园管理工作、做好校园、家庭、社会三结合教育体系、做好心理辅导工作、宣传发动等。每项内容都制订了分项目及标准要求、完成时限、分管部门和负责人、分管领导。这样，工作分工明确，落实到位。
2、创建文明城市工作调度和动员会情况学期初，学校领导就本次创城的意义进行了详细说明，明确工作意义，增添了责任感，感到创建文明城市等是我们自己的事情，是值得自豪的，树立了主人翁意识。然后，领导就工作分工情况进行了明确和部署，同时强调这些工作平时就是学校工作的重点和中心，这就要求我们抓好日常教育教学管理等各项工作，注意搜集和完善日常过程性材料，展现出学校有序良好的发展态势。最后，提出了要求，各部门间加强团结合作，政教处负责牵头，协调各方面的工作等，为创建文明城市做好保障。
之后，召开了全校师生创建文明城市工作动员大会。贺校长就创城工作强调四点：一要高度重视，精心组织，增强紧迫感、责任感，要有主人翁意识。二要抓好重点工作目标落实，配合协调其他责任目标落实。三要注意收集、采集信息资料，建立健全各项资料。四是加强督查，促进创城工作_完成。
二、主要成绩和不足
1、主要成绩
1)、重视工作氛围的营造，动员宣传工作主动扎实，富有成效充分利用校园广播站、校园网络、橱窗、板报等宣传_媒体，大力宣传和报道活动开展情况。为了让广大师生能够方便学习掌握有关知识和要求，学校专门印制了知识卡片，下发到每一位师生手中。同时，校团委积极组织青年志愿者在校园内进行宣传和文明劝导，政教处还在校园的重要场所制作了专门的宣传橱窗栏，形成了良好的创建整治氛围，全校师生的知晓率和参与度高，有力地推动了创城活动的顺利开展。
2)、以活动为载体，深入开展创城活动
①、开展给力“创城”，卫生先行活动组织全体师生开展打扫卫生活动，对学校周边的道路以及道路两边的绿化带进行彻底大扫除，使学生认识到在平时的学习生活中，注意个人卫生的同时，自学注意保持公共场所的卫生，从小养成良好的卫生习惯。学生受到教育的同时，通过“小手拉大手”，使家长也受到感染，能自觉地遵守公共秩序，自觉保持公共卫生，让家长和社区的人都知道“创城”，大家都应该为营造整洁、优美、有序的环境出一份力。
②、开展“文明志愿者”活动。6月份是我市“创建”冲刺阶段，我校组织全体师生开展社会实践活动，学生向行人、居民宣传，进行劝导市民文明行走、文明出行活动，教育市民不撞红灯、不走快车道、推车过马路等。活动虽然很辛苦，但是学生的收获很大。
③、“文明礼貌，从我做起”活动班主任向同学们讲解了文明礼仪的渊源、文明礼仪在现实生活中的意义、文明礼仪对个人修养的重要性等内容，使同学们对文明礼仪有了进一步的了解，帮助他们逐步树立正确的人生观、是非观。
④、“文明从我做起，创城人人有责”举办“文明从我做起，创城人人有责”主题班会，老师带领全体学生认真学习，积极讨论，学生们对自己的言行举止进行了反思，时时注意自己的言行谈吐，知礼仪，懂礼仪，懂得感恩父母，学会友好交往，快乐地与人相处，将文明习惯落到实处，使班级成为文明礼仪的宣传和示范窗口，学生成为文明礼仪行动的先锋，为争创全国文明城做出自己的贡献。
⑤、“文明上网，绿色上网”宣传活动进一步加强学校、社区、家庭对未成年人网络教育和监管力度，培养未成年人文明上网意识，正确、合理使用网络资源，激发未成年人对文明、美好网络生活的向往和追求，促进未成年人绿色上网，健康成长，利用信息技术课堂倡导和鼓励同学们绿色上网、文明上网、健康上网，认清网络善恶美丑的界限，唤起同学们对于网络道德的关注，唤醒沉迷在网络游戏中的学子，使学生文明上网的自觉性增加。倡导网络文明新风，使用网络文明语言，不沉溺于虚拟时空，自觉抵制各种虚假、消极内容，营造校园网络文明、健康的环境，创建网络文明新气象，争做文明学生，为“创城”做出贡献。
ted研演讲稿篇4
亲爱的老师们，亲爱的学生们：
大家好！
青春是以雪霜为荣的冬梅，它以吐芽的香枝孕育着明天的希望；青春是一朵五颜六色的桃李，以其迷人的容颜构筑了希望的蓝图；青春是一株生机勃勃的小草，在金边镶嵌着梦想的蓝图。
青春无疑是令人羡慕的`资本。有了它，你可以在中国的土地上为自己的天空而战；有了它，你敢哭敢笑，享受生活的滋味；有他就敢爱恨筑，此生无悔。
青春是壮丽的，因为我们有梦想。青春让我们变得坚强，充满活力。当山塌了，河流干涸了，岩石腐烂了，生物灭绝了，只有青春的水回到了古代，只有梦想的河永远留在我们心中。
因为我们有梦想，青春的笑脸甜美，充满热情和奔放的魅力，散发着憧憬未来的喜悦；因为我们有梦想，青春的眼睛是纯净的，那里有沸腾的生活，多彩的世界；因为我们有梦想，青春的胸膛里充满了激动。我们从祖国各地去牛城。既有吞千里“牛”的激情，也有激情之外的“郭守敬式”的理性思考。既有乘风破浪的豪情壮志，又有脚踏实地的龙马精神；因为我们有梦想，青春的臂膀是强大的。要把大海变成桑园，沙漠换成绿洲，就要拉紧时代的绳索，解除时代的信任；因为我们有梦想，青春的脚步是矫健的。我们可以走出迷茫的低谷，抑郁的漩涡，空旷的沼泽，立足当下，面对未来，艰难跋涉，努力探索。
年轻的朋友，青春和梦想是同步的。让我们张开双臂，让青春和梦想翱翔！
ted研演讲稿篇5
my generation really, sadly, is not going to change the numbers at the top. they're just not moving. we are not going to get to where 50 percent of the population — in my generation, there will not be 50 percent of [women] at the top of any industry. but i'm hopeful that future generations can. i think a world where half of our countries and our companies were run by women, would be a better world. it's not just because people would know where the women's bathrooms are, even though that would be very helpful.i think it would be a better world. i have two children. i have a five-year-old son and a two-year-old daughter. i want my son to have a choice to contribute fully in the workforce or at home, and i want my daughter to have the choice to not just succeed, but to be liked for her accomplishments.
ted研演讲稿篇6
one day in 1819, 3,000 miles off the coast of chile, in one of the mostremote regions of the pacific ocean, 20 american sailors watched their shipflood with seawater.
1819年的某一天， 在距离智利海岸3000英里的地方， 有一个太平洋上的最偏远的水域， 20名美国船员目睹了他们的船只进水的场面。
they'd been struck by a sperm whale, which had ripped a catastrophic holein the ship's hull. as their ship began to sink beneath the swells, the menhuddled together in three small whaleboats.
他们和一头抹香鲸相撞，给船体撞了 一个毁灭性的大洞。 当船在巨浪中开始沉没时， 人们在三条救生小艇中抱作一团。
these men were 10,000 miles from home, more than 1,000 miles from thenearest scrap of land. in their small boats, they carried only rudimentarynavigational equipment and limited supplies of food and water.
这些人在离家10000万英里的地方， 离最近的陆地也超过1000英里。 在他们的小艇中，他们只带了 落后的导航设备 和有限的食物和饮水。
these were the men of the whaleship esse_, whose story would later inspireparts of "moby dick."
他们就是捕鲸船esse_上的人们， 后来的他们的故事成为《白鲸记》的一部分。
even in today's world, their situation would be really dire, but thinkabout how much worse it would have been then.
即使在当今的世界，碰上这种情况也够杯具的，更不用说在当时的情况有多糟糕。
no one on land had any idea that anything had gone wrong. no search partywas coming to look for these men. so most of us have never e_perienced asituation as frightening as the one in which these sailors found themselves, butwe all know what it's like to be afraid.
岸上的人根本就还没意识到出了什么问题。 没有任何人来搜寻他们。 我们当中大部分人没有经历过 这些船员所处的可怕情景，但我们都知道害怕是什么感觉。
we know how fear feels, but i'm not sure we spend enough time thinkingabout what our fears mean.
我们知道恐惧的感觉， 但是我不能肯定我们会花很多时间想过 我们的恐惧到底意味着什么。
as we grow up, we're often encouraged to think of fear as a weakness, justanother childish thing to discard like baby teeth or roller skates.
我们长大以后，我们总是会被鼓励把恐惧 视为软弱，需要像乳牙或轮滑鞋一样 扔掉的幼稚的东西。
and i think it's no accident that we think this way. neuroscientists haveactually shown that human beings are hard-wired to be optimists.
我想意外事故并非我们所想的那样。 神经系统科学家已经知道人类 生来就是乐观主义者。
so maybe that's why we think of fear, sometimes, as a danger in and ofitself. "don't worry," we like to say to one another. "don't panic." in english,fear is something we conquer. it's something we fight.
这也许就是为什么我们认为有时候恐惧， 本身就是一种危险或带来危险。 “不要愁。”我们总是对别人说。“不要慌”。 英语中，恐惧是我们需要征服的东西。是我们必须对抗的东西，是我们必须克服的东西。
it's something we overcome. but what if we looked at fear in a fresh way?what if we thought of fear as an amazing act of the imagination, something thatcan be as profound and insightful as storytelling itself?
但是我们如果换个视角看恐惧会如何呢? 如果我们把恐惧当做是想象力的一个惊人成果， 是和我们讲故事一样 精妙而有见地的东西，又会如何呢?
it's easiest to see this link between fear and the imagination in youngchildren, whose fears are often e_traordinarily vivid.
在小孩子当中，我们最容易看到恐惧与想象之间的联系， 他们的恐惧经常是超级生动的。
when i was a child, i lived in california, which is, you know, mostly avery nice place to live, but for me as a child, california could also be alittle scary.
我小时候住在加利福尼亚， 你们都知道，是非常适合居住的位置， 但是对一个小孩来说，加利福尼亚也会有点吓人。
i remember how frightening it was to see the chandelier that hung above ourdining table swing back and forth during every minor earthquake, and i sometimescouldn't sleep at night, terrified that the big one might strike while we weresleeping.
我记得每次小地震的时候 当我看到我们餐桌上的吊灯 晃来晃去的时候是多么的吓人， 我经常会彻夜难眠，担心大地震 会在我们睡觉的时候突然袭来。
and what we say about kids who have fears like that is that they have avivid imagination. but at a certain point, most of us learn to leave these kindsof visions behind and grow up.
我们说小孩子感受到这种恐惧 是因为他们有生动的想象力。 但是在某个时候，我们大多数学会了 抛弃这种想法而变得成熟。
we learn that there are no monsters hiding under the bed, and not everyearthquake brings buildings down. but maybe it's no coincidence that some of ourmost creative minds fail to leave these kinds of fears behind as adults.
我们都知道床下没有魔鬼， 也不是每个地震都会震垮房子。但是我们当中最有想象力的人们 并没有因为成年而抛弃这种恐惧，这也许并不是巧合。
the same incredible imaginations that produced "the origin of species,""jane eyre" and "the remembrance of things past," also generated intense worriesthat haunted the adult lives of charles darwin, charlotte bront and marcelproust. so the question is, what can the rest of us learn about fear fromvisionaries and young children?
同样不可思议的想象力创造了《物种起源》， 《简·爱》和《追忆似水年华》， 也就是这种与生俱来的深深的担忧一直缠绕着成年的 查尔斯·达尔文，夏洛特·勃朗特和马塞尔·普罗斯特。 问题就来了， 我们其他人如何能从这些 梦想家和小孩子身上学会恐惧?
well let's return to the year 1819 for a moment, to the situation facingthe crew of the whaleship esse_. let's take a look at the fears that theirimaginations were generating as they drifted in the middle of the pacific.
让我们暂时回到1819年， 回到esse_捕鲸船的水手们面对的情况。 让我们看看他们漂流在太平洋中央时 他们的想象力给他们带来的恐惧感觉。
twenty-four hours had now passed since the capsizing of the ship. the timehad come for the men to make a plan, but they had very few options.
船倾覆后已经过了24个小时。 这时人们制定了一个计划， 但是其实他们没什么太多的选择。
in his fascinating account of the disaster, nathaniel philbrick wrote thatthese men were just about as far from land as it was possible to be anywhere onearth.
在纳撒尼尔·菲尔布里克(nathaniel philbrick)描述这场灾难的 动人文章中，他写到“这些人离陆地如此之远，似乎永远都不可能到达地球上的任何一块陆地。”
the men knew that the nearest islands they could reach were the marquesasislands, 1,200 miles away. but they'd heard some frightening rumors.
这些人知道离他们最近的岛 是1200英里以外的马克萨斯群岛(marquesas islands)。 但是他们听到了让人恐怖的谣言。
they'd been told that these islands, and several others nearby, werepopulated by cannibals. so the men pictured coming ashore only to be murderedand eaten for dinner. another possible destination was hawaii, but given theseason, the captain was afraid they'd be struck by severe storms.
他们听说这些群岛， 以及附近的一些岛屿上都住着食人族。 所以他们脑中都是上岸以后就会被杀掉 被人当做盘中餐的画面。 另一个可行的目的地是夏威夷，但是船长担心 他们会被困在风暴当中。
now the last option was the longest, and the most difficult: to sail 1,500miles due south in hopes of reaching a certain band of winds that couldeventually push them toward the coast of south america.
所以最后的选择是到最远，也是最艰险的地方： 往南走1500英里希望某股风 能最终把他们 吹到南美洲的海岸。
but they knew that the sheer length of this journey would stretch theirsupplies of food and water. to be eaten by cannibals, to be battered by storms,to starve to death before reaching land.
但是他们知道这个行程中一旦偏航 将会耗尽他们食物和饮水的供给。 被食人族吃掉，被风暴掀翻， 在登陆前饿死。
these were the fears that danced in the imaginations of these poor men, andas it turned out, the fear they chose to listen to would govern whether theylived or died.
这就是萦绕在这群可怜的人想象中的恐惧， 事实证明，他们选择听从的恐惧 将决定他们的生死。
now we might just as easily call these fears by a different name. what ifinstead of calling them fears, we called them stories?
也许我们可以很容易的用别的名称来称呼这些恐惧。 我们不称之为恐惧， 而是称它们为故事如何?
because that's really what fear is, if you think about it. it's a kind ofunintentional storytelling that we are all born knowing how to do. and fears andstorytelling have the same components.
如果你仔细想想，这是恐惧真正的意义。 这是一种与生俱来的， 无意识的讲故事的能力。 恐惧和讲故事有着同样的构成。
they have the same architecture. like all stories, fears have characters.in our fears, the characters are us. fears also have plots. they have beginningsand middles and ends. you board the plane.
他们有同样的结构。 如同所有的故事，恐惧中有角色。 在恐惧中，角色就是我们自己。 恐惧也有情节。他们有开头，有中间，有结尾。 你登上飞机。
the plane takes off. the engine fails. our fears also tend to containimagery that can be every bit as vivid as what you might find in the pages of anovel. picture a cannibal, human teeth sinking into human skin, human fleshroasting over a fire.
飞机起飞。结果引擎故障。 我们的恐惧会包括各种生动的想象， 不比你看到的任何一个小说逊色。 想象食人族，人类牙齿 咬在人类皮肤上，人肉在火上烤。
fears also have suspense. if i've done my job as a storyteller today, youshould be wondering what happened to the men of the whaleship esse_. our fearsprovoke in us a very similar form of suspense.
恐惧中也有悬念。 如果我今天像讲故事一样，留个悬念不说了， 你们也许会很想知道 esse_捕鲸船上，人们到底怎么样了。我们的恐惧用悬念一样的方式刺激我们。
just like all great stories, our fears focus our attention on a questionthat is as important in life as it is in literature: what will happen ne_t?
就像一个很好的故事，我们的恐惧也如同一部好的文学作品一样， 将我们的注意力集中在对我们生命至关重要的问题上： 后来发生了什么?
in other words, our fears make us think about the future. and humans, bythe way, are the only creatures capable of thinking about the future in thisway, of projecting ourselves forward in time, and this mental time travel isjust one more thing that fears have in common with storytelling.
换而言之，我们的恐惧让我们想到未来。 另外，人来是唯一有能力 通过这种方式想到未来的生物， 就是预测时间推移后我们的状况， 这种精神上的时间旅行是恐惧与讲故事的另一个共同点。
as a writer, i can tell you that a big part of writing fiction is learningto predict how one event in a story will affect all the other events, and fearworks in that same way.
我是一个作家，我要告诉你们写小说一个很重要的部分 就是学会预测故事中一件 事情如何影响另一件事情， 恐惧也是同样这么做的。
in fear, just like in fiction, one thing always leads to another. when iwas writing my first novel, "the age of miracles," i spent months trying tofigure out what would happen if the rotation of the earth suddenly began to slowdown. what would happen to our days?
恐惧中，如同小说一样，一件事情总是导致另一件事情。 我写我的第一部小说《奇迹时代》的时候， 我花了数月的时间想象如果地球旋转突然变慢了之后会发生什么。 我们的一天变得如何?
what would happen to our crops? what would happen to our minds? and then itwas only later that i realized how very similar these questions were to the onesi used to ask myself as a child frightened in the night.
我们身体会怎样? 我们的思想会有什么变化? 也就是在那之后，我意识到 我过去总是问自己的那些些问题 和孩子们在夜里害怕是多么的相像。
if an earthquake strikes tonight, i used to worry, what will happen to ourhouse? what will happen to my family? and the answer to those questions alwaystook the form of a story.
要是在过去，如果今晚发生地震，我会很担心， 我的房子会怎么样啊?家里人会怎样啊? 这类问题的答案通常都会和故事一样。
so if we think of our fears as more than just fears but as stories, weshould think of ourselves as the authors of those stories. but just asimportantly, we need to think of ourselves as the readers of our fears, and howwe choose to read our fears can have a profound effect on our lives.
所以我们认为我们的恐惧不仅仅是恐惧 还是故事，我们应该把自己当作 这些故事的作者。 但是同样重要的是，我们需要想象我们自己是我们恐惧的解读者，我们选择如何 去解读这些恐惧会对我们的生活产生深远的影响。
now, some of us naturally read our fears more closely than others. i readabout a study recently of successful entrepreneurs, and the author found thatthese people shared a habit that he called "productive paranoia," which meantthat these people, instead of dismissing their fears, these people read themclosely, they studied them, and then they translated that fear into preparationand action.
现在，我们中有些人比其他人更自然的解读自己的恐惧。 最近我看过一个关于成功的企业家的研究， 作者发现这些人都有个习惯 叫做“未雨绸缪“，意思是，这些人，不回避自己的恐惧， 而是认真解读并研究恐惧， 然后把恐惧转换成准备和行动。
so that way, if their worst fears came true, their businesses wereready.
这样，如果最坏的事情发生了， 他们的企业也有所准备。
and sometimes, of course, our worst fears do come true. that's one of thethings that is so e_traordinary about fear. once in a while, our fears canpredict the future.
当然，很多时候，最坏的事情确实发生了。 这是恐惧非凡的一面。 曾几何时，我们的恐惧预测将来。
but we can't possibly prepare for all of the fears that our imaginationsconcoct. so how can we tell the difference between the fears worth listening toand all the others? i think the end of the story of the whaleship esse_ offersan illuminating, if tragic, e_ample.
但是我们不可能为我们想象力构建的所有 恐惧来做准备。 所以，如何区分值得听从的恐惧 和不值得的呢? 我想捕鲸船esse_的故事结局提供了一个有启发性，同时又悲惨的例子。
after much deliberation, the men finally made a decision. terrified ofcannibals, they decided to forgo the closest islands and instead embarked on thelonger and much more difficult route to south america.
经过数次权衡，他们最终做出了决定。 由于害怕食人族，他们决定放弃最近的群岛 而是开始更长 更艰难的南美洲之旅。
after more than two months at sea, the men ran out of food as they knewthey might, and they were still quite far from land. when the last of thesurvivors were finally picked up by two passing ships, less than half of the menwere left alive, and some of them had resorted to their own form ofcannibalism.
在海上呆了两个多月后，他们 的食物如预料之中消耗殆尽， 而且他们仍然离陆地那么远。 当最后的幸存者最终被过往船只救起时， 只有一小半的人还活着，实际上他们中的一些人自己变成了食人族。
herman melville, who used this story as research for "moby dick," wroteyears later, and from dry land, quote, "all the sufferings of these miserablemen of the esse_ might in all human probability have been avoided had they,immediately after leaving the wreck, steered straight for tahiti.
赫尔曼·梅尔维尔(herman melville)将这个故事作为 《白鲸记》的素材，在数年后写到： esse_船上遇难者的悲惨结局或许是可以通过人为的努力避免的， 如果他们当机立断地离开沉船， 直奔塔西提群岛。
but," as melville put it, "they dreaded cannibals." so the question is, whydid these men dread cannibals so much more than the e_treme likelihood ofstarvation?
“但是”，梅尔维尔说道：“他们害怕食人族” 问题是，为什么这些人对于食人族的恐惧 超过了更有可能的饥饿威胁呢?
why were they swayed by one story so much more than the other? looked atfrom this angle, theirs becomes a story about reading. the novelist vladimirnabokov said that the best reader has a combination of two very differenttemperaments, the artistic and the scientific.
为什么他们会被一个故事 影响如此之大呢? 从另一个角度来看， 这是一个关于解读的故事。 小说家弗拉基米尔·纳博科夫(vladimirnabokov)说 最好的读者能把两种截然不同的性格结合起来， 一个是艺术气质，一个是科学精神。
a good reader has an artist's passion, a willingness to get caught up inthe story, but just as importantly, the readers also needs the coolness ofjudgment of a scientist, which acts to temper and complicate the reader'sintuitive reactions to the story. as we've seen, the men of the esse_ had notrouble with the artistic part.
好的读者有艺术家的热情， 愿意融入故事当中， 但是同样重要的是，这些读者还要 有科学家的冷静判断， 这能帮助他们稳定情绪并分析 其对故事的直觉反应。我们可以看出来，esse_上的人在艺术部分一点问题都没有。
they dreamed up a variety of horrifying scenarios. the problem was thatthey listened to the wrong story. of all the narratives their fears wrote, theyresponded only to the most lurid, the most vivid, the one that was easiest fortheir imaginations to picture: cannibals.
他们梦想到一系列恐怖的场景。 问题在于他们听从了一个错误的故事。 所有他们恐惧中 他们只对其中最耸人听闻，最生动的故事，也是他们想象中最早出现的场景： 食人族。
but perhaps if they'd been able to read their fears more like a scientist,with more coolness of judgment, they would have listened instead to the lessviolent but the more likely tale, the story of starvation, and headed fortahiti, just as melville's sad commentary suggests.
也许，如果他们能像科学家那样 稍微冷静一点解读这个故事， 如果他们能听从不太惊悚但是更可能发生的 半路饿死的故事，他们可能就会直奔塔西提群岛，如梅尔维尔充满惋惜的评论所建议的那样。
and maybe if we all tried to read our fears, we too would be less oftenswayed by the most salacious among them.
也许如果我们都试着解读自己的恐惧， 我们就能少被 其中的一些幻象所迷惑。
maybe then we'd spend less time worrying about serial killers and planecrashes, and more time concerned with the subtler and slower disasters we face:the silent buildup of plaque in our arteries, the gradual changes in ourclimate.
我们也就能少花一点时间在 为系列杀手或者飞机失事方面的担忧， 而是更多的关心那些悄然而至 的灾难： 动脉血小板的逐渐堆积， 气候的逐渐变迁。
just as the most nuanced stories in literature are often the richest, sotoo might our subtlest fears be the truest. read in the right way, our fears arean amazing gift of the imagination, a kind of everyday clairvoyance, a way ofglimpsing what might be the future when there's still time to influence how thatfuture will play out.
如同文学中最精妙的故事通常是最丰富的故事， 我们最细微的恐惧才是最真实的恐惧。 用正确的方法的解读，我们的恐惧就是我们想象力赐给我们的礼物，借此一双慧眼， 让我们能管窥未来 甚至影响未来。
properly read, our fears can offer us something as precious as our favoriteworks of literature: a little wisdom, a bit of insight and a version of thatmost elusive thing -- the truth. thank you.
如果能得到正确的解读，我们的恐惧能 和我们最喜欢的文学作品一样给我们珍贵的东西： 一点点智慧，一点点洞悉 以及对最玄妙东西—— 真相的诠释。谢谢。
(applause)
(掌声)
ted研演讲稿篇7
拖延症是指在能够预料后果有害的情况下，仍然把计划要做的事情往后推迟的一种行为。
这种行为深深毒害着我。
晚上8点钟的时候，我感觉床正在低声呼唤我，可我之前一直在看小说，还没完成我的作业。算了吧，反正我写得快，明早起来一样能写完。于是，我倒在床上就睡着了。
第2天早上，我突然睁开眼睛，想起作业还没写。我刚要伸手去拿作业，床就把我吸了回来，我不自觉地眯上了眼睛，却见作业卷摊在床上，我马上拿起笔刷刷地写了起来。2分钟过去了，我写完了所有的作业，我心里暗暗高兴，简直不敢相信我居然能写的那么快。既然写完了，那就再睡一会儿吧，我把作业放在了床头，便又睡着了。
当我睡得正香的时候，只听妈妈大吼一声：“小兔崽子快起床!”这一声，吓得我一机灵，我撇了撇嘴，不满意地说道：“我作业都写完了，就不能再睡一会儿吗?”说着，我还用手往床头划了划，可令我惊讶的是，床头空荡荡的，什么东西都没有!我睁开了眼睛，瞧了瞧床头，真的什么都没有，我看向书包，发现作业卷还在书包里静静地躺着，翻开一看，作业一页都没写!这是什么情况?我傻眼了，我刚才明明把作业都写完了呀。原来，我在想象中写完了作业。看来，没完成作业睡觉也不安心呀。
我又看了看表，嗯，才7点，大不了我早饭不吃了。我开始写作业，可脑子里一直想着昨天看的小说，当我想到有趣的地方时，还会笑一笑，完全忘记了我还没有写完作业。直到老师上课时，我才想起来：我的作业还没有写完!，面对老师的质问，我不知道该如何回答。很显然，我已经患上了严重的拖延症……
拖延时间是世界上最省力的事情，但后果不堪设想。我希望我能尽快地克服拖延症，变成一个守时的人、一个有生活规律的人、一个身边的朋友都信赖的人。
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★ 演讲演讲稿7篇
